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Rogier van der Weyden Miraflores Altarpiece oil painting reproduction


Miraflores Altarpiece
Cental left and right parts
new1/Rogier van der Weyden9.jpgPainting ID::  9860
 

 
 
   
      

All WEYDEN, Rogier van der Oil Paintings
 
 
WEYDEN, Rogier van der Miraflores Altarpiece oil painting reproduction


Miraflores Altarpiece
1440 Oil on oak panel, 71 x 43 cm Staatliche Museen, Berlin The left panel of the Miraflores Altarpiece depicts the Holy Family.Artist:WEYDEN, Rogier van der Title: Miraflores Altarpiece (left panel) Painted in 1401-1450 , Flemish - - painting : religious
new21/WEYDEN, Rogier van der-664653.jpgPainting ID::  63913
 

 
 
   
      

All WEYDEN, Rogier van der Oil Paintings
 
 
WEYDEN, Rogier van der Miraflores Altarpiece oil painting reproduction


Miraflores Altarpiece
1440 Oil on oak panel, 71 x 43 cm Staatliche Museen, Berlin The right panel of the Miraflores Altarpiece depicts the risen Christ with his mother.Artist:WEYDEN, Rogier van der Title: Miraflores Altarpiece (right panel) Painted in 1401-1450 , Flemish - - painting : religious
new21/WEYDEN, Rogier van der-863666.jpgPainting ID::  63934
 

 
 
   
      

All WEYDEN, Rogier van der Oil Paintings
 
 
WEYDEN, Rogier van der Miraflores Altarpiece oil painting reproduction


Miraflores Altarpiece
1440 Oil on oak panel Staatliche Museen, Berlin The scene on the right panel is the only one in this altarpiece that illustrates two events at once: in the foreground we see Christ appearing to the Virgin Mary, while in the background we can see the immediately preceding event, His resurrection on Easter morning. The artist may have thought it necessary to explain the main scene, which was not often painted. The winding road from the tomb to the building in the foreground makes it clear that Christ went to his mother at once, so that she would be the first to experience the joy of reunion with him.Artist:WEYDEN, Rogier van der Title: Miraflores Altarpiece (detail) Painted in 1401-1450 , Flemish - - painting : religious
new21/WEYDEN, Rogier van der-328398.jpgPainting ID::  63935
 

 
 
   
      
WEYDEN, Rogier van der
  
Netherlandish Northern Renaissance Painter, ca.1400-1464 major early Flemish master, known also as Roger de la Pasture. He is believed to have studied with Robert Campin. His early works also show the influence of Jan van Eyck. Van Eyck, however, had been a master at objective rendering of detail, whereas Roger in his work portrayed emotions with an assurance that has not been surpassed. His ability to depict piety is reflected in the early masterpiece Descent from the Cross (c.1435; Prado); he depicted with significant restraint the profound grief of the mourners grouped around the tragic figure of Jesus. His composition strongly affected later representations of the theme. Roger became City Painter in Brussels in 1436. He then produced a series of undated altarpieces including the Last Judgment (hospital, Beaune), the Braque Triptych (Louvre), Crucifixion with Donors (Vienna), and Adoration of the Magi (Berlin), which vary in execution from a stress on sumptuous details to a more sculptural rendering of the figures. Roger is believed to have made a pilgrimage to Italy in the holy year 1450. Whether this supposed excursion had any effect on his style is much debated. It has been shown that his Entombment (Uffizi) bears an affinity to the Tuscan treatment of the subject, particularly by Fra Angelico, and that Roger's Virgin and Child with Saints (Frankfurt) has a strong resemblance to the Italian religious art of the day. His style is, however, highly individual. His religious paintings and his portraits are characterized by a straightforward monumentality. The portraits, such as that of a young lady (National Gall. of Art, Washington, D.C.) and of Francesco d'Este (Metropolitan Mus.) exhibit a simple clarity of contour and psychological penetration. Other notable works are his St. Luke Painting the Virgin, of which a version or replica is in the Museum of Fine Arts, Boston, the Crucifixion
Miraflores Altarpiece
1440 Oil on oak panel Staatliche Museen, Berlin The scene on the right panel is the only one in this altarpiece that illustrates two events at once: in the foreground we see Christ appearing to the Virgin Mary, while in the background we can see the immediately preceding event, His resurrection on Easter morning. The artist may have thought it necessary to explain the main scene, which was not often painted. The winding road from the tomb to the building in the foreground makes it clear that Christ went to his mother at once, so that she would be the first to experience the joy of reunion with him.Artist:WEYDEN, Rogier van der Title: Miraflores Altarpiece (detail) Painted in 1401-1450 , Flemish - - painting : religious

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